Sigiriya

Sigiriya rock is the hardened magma plug from an extinct and long-eroded volcano. It stands high above the surrounding plain, visible for miles in all directions. The rock rests on a steep mound that rises abruptly from the flat plain surrounding it. The rock itself rises 370m and is sheer on all sides, in many places overhanging the base. It is elliptical in plan and has a flat top that slopes gradually along the long axis of the ellipse.[6]

Sigiriya consists of an ancient castle built by King Kasyapa during the 5th century AD. The Sigiriya site has the remains of an upper palace sited on the flat top of the rock, a mid-level terrace that includes the Lion Gate and the mirror wall with its frescoes, the lower palace that clings to the slopes below the rock, and the moats, walls and gardens that extend for some hundreds of metres out from the base of the rock.

The site is both a palace and fortress. Sufficient remains to provide the visitor with a stunning insight into the ingenuity and creativity of its builders.

The upper palace on the top of the rock includes cisterns cut into the rock that still retain water. The moats and walls that surround the lower palace are still exquisitely beautiful.

Site plan

Sigiriya is considered as one of the most important sites of urban planning of the first millennium, the site plan is considered very elaborate and imaginative. The planning had combined concepts of symmetry and asymmetry to intentionally interlock the geometrical plan and the natural form of the surroundings. The west side of the rock lies a park for the royals which is symmetrically planned, the park contains water retaining structures which includeds sophisticated sub/surface hydraulic systems of which some are working even today. The south contains a man made reservoir, these were extensively used from previous capital of the dry zone of Sri Lanka. Five gates were placed at entrances. The more elaborate western gate is thought to be reserved for the royals.

The Gardens

The landscape of the Sigiriya city is considered to one of the most important aspects of the site, the gardens are one of the oldest landscaped gardens of the world. Gardens take three distinct but linked forms they are Water, Cave and boulder gardens. The water gardens are the more sophisticated in design and can be seen in the western precinct. The water gardens contained pools of various depths with streams flowing over slabs of marble. Underground hydraulic systems provide water into the fountains which even operate today. Other water gardens found combines pavilions with water courses which were used to cool the pavilions. Boulder gardens had a different design concept to the water gardens, the gardens included pathways, pavilions etc.

Frescos

John Still in 1907 had observed that; “The whole face of the hill appears to have been a gigantic picture gallery… the largest picture in the world perhaps”.

The paintings would have covered most of the western face of the rock, covering an area 140 meters long and 40 meters high. There are references in the graffiti to 500 ladies in these paintings. However, many more are lost forever, having been wiped out when the Palace once more became a Monastery so that they would not disturb meditation.

Classified as in the Anuradhapura period but the painting style technique used to paint is considered unique. The line and application style of the paintings differ from the Anuradhapura paintings. The lines are painted in a form which enhances the sense of volumeness of figures. The paint has been applied in sweeping action strokes using more pressure on one side giving the effect of a deeper colour tone towards the edge. Other paintings of the Anuradhapura period contains similar approaches to painting but they do not have the sketchy nature of the sigiriya lines as the painting of the Anuradhapura period has a distinct line which was the artists boundary which does not resemble that of the Sigiriya style.

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Published in: on June 24, 2008 at 5:54 pm  Leave a Comment  

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